Jakub Špaňhel
Goat in the Field
Artist
Jakub Špaňhel
(1976, Ostrava), Czech
Original Title
Goat in the Field
Date2015
Mediumacrylic on canvas
Dimensions285 × 485 cm
Classificationspaintings
Credit LineLong-term loan from the artist
DescriptionJakub Špaňhel is perceived as a great painting talent on the Czech art scene, on which he has been active since the late 1990s. In his expressive gestural painting he managed to synthesise new input from the Western art scene and its innovative technical methods with the tradition of local expressive painting. His canvases are characteristic in their physical painting process, based on the spontaneous gesture and the “liquidity” of form. Špaňhel’s work is situated within the world of objects and he chooses motifs of flowers, monasteries, urban and rural exteriors, which he then paints according to model photographs, postcards or reproductions. The object motifs however open space for his gestural work. The resulting works have a fluid and liquid form which also comes to define the work’s content. His very austere form balances on the threshold between the abstract and the representative, between spirituality and irony, and is a certain reaction to the accelerating tempo of life and the superficiality of the contemporary world. In recent years, his paintings have reacted to the legacies of other artists such as Bohuslav Reynek and Josef Sudek, with Špaňhel using his distinctive gestural painting style and monumentally sized works to capture the magic of certain moments and to convey emotional messages.
For his work Goat in the Field, Jakub Špaňhel was inspired by rural life which he started to appreciate during his new, family-oriented phase of life. The painting finds inspiration in eastern calligraphy, but also in the minute technique of Czech graphic artist Bohuslav Rejnek to which Špaňhel adds a monumental flare. He places the colour on a basic canvas by means of a large brush which leaves the image with a specific structure. The individual brush strokes and blots are close to abstract art, and only congeal into a representation once the viewer takes a few steps back.
Jakub Špaňhel (*1976, Karviná) made his first contact with the art scene in the industrial region of Ostrava. Between 1995–2002 he intentionally studied at the more conceptual studios of the Academy of Fine Arts in Prague, like in the studio of Visual Communication of Jiří David and the studio of Intermedia Work of Milan Knížák, which gave his spontaneous painting a sense for working in cycles and a taste for rational objectivity. Another mentor of Špaňhel’s was Jiří Georg Dokoupil whose experience with Western art supported Špaňhel’s tendency towards expressive monumentality and the serial multiplication of motifs. Špaňhel’s works have regularly appeared at exhibitions since his school years and, after graduating from the Academy, the Prague City Gallery organised a solo exhibition for him. In the following years, he was featured at important group exhibitions thematising new trends in contemporary art (Perfect Tense: Malba dnes, Prague Castle Riding School, 2003). He has had solo exhibitions at the Prague City Gallery (Hens in Hell, 2012), the Václav Špála Gallery (Paintings 1648–2016, 2016), and the Arcimboldo Gallery (Five Lights Above the Water, 2020). His work is included in the collections of institutions such as the National Gallery Prague, the East Bohemian Gallery in Pardubice, the Klatovy / Klenová Gallery, and the Gallery of Fine Arts in Cheb, as well as in Richard Adam’s collection and other private collections.
For his work Goat in the Field, Jakub Špaňhel was inspired by rural life which he started to appreciate during his new, family-oriented phase of life. The painting finds inspiration in eastern calligraphy, but also in the minute technique of Czech graphic artist Bohuslav Rejnek to which Špaňhel adds a monumental flare. He places the colour on a basic canvas by means of a large brush which leaves the image with a specific structure. The individual brush strokes and blots are close to abstract art, and only congeal into a representation once the viewer takes a few steps back.
Jakub Špaňhel (*1976, Karviná) made his first contact with the art scene in the industrial region of Ostrava. Between 1995–2002 he intentionally studied at the more conceptual studios of the Academy of Fine Arts in Prague, like in the studio of Visual Communication of Jiří David and the studio of Intermedia Work of Milan Knížák, which gave his spontaneous painting a sense for working in cycles and a taste for rational objectivity. Another mentor of Špaňhel’s was Jiří Georg Dokoupil whose experience with Western art supported Špaňhel’s tendency towards expressive monumentality and the serial multiplication of motifs. Špaňhel’s works have regularly appeared at exhibitions since his school years and, after graduating from the Academy, the Prague City Gallery organised a solo exhibition for him. In the following years, he was featured at important group exhibitions thematising new trends in contemporary art (Perfect Tense: Malba dnes, Prague Castle Riding School, 2003). He has had solo exhibitions at the Prague City Gallery (Hens in Hell, 2012), the Václav Špála Gallery (Paintings 1648–2016, 2016), and the Arcimboldo Gallery (Five Lights Above the Water, 2020). His work is included in the collections of institutions such as the National Gallery Prague, the East Bohemian Gallery in Pardubice, the Klatovy / Klenová Gallery, and the Gallery of Fine Arts in Cheb, as well as in Richard Adam’s collection and other private collections.
