Josef Bolf
Untitled
Artist
Josef Bolf
(1971, Praha), Czech
Original Title
Untitled
From the seriesNarapoia
Date2005-2006
Mediumacrylic on paper
Dimensions70 × 100,5 cm
Classificationsworks on paper
Credit LineKunsthalle Praha (Eva and Petr Zeman Collection)
DescriptionJosef Bolf is one of the most distinctive artists in contemporary Czech painting. His paintings are inhabited by wounded and frightened creatures, half-human and half-animal. The depicted situations elicit feelings of sadness, revulsion, and vulnerability, which draw on the author’s depressive states as well as the artist’s personal experience of growing up on an unfinished suburb of Prague’s South End during the era of Normalisation, when the collective unconscious resonated with the potential threats of the Cold War. Bolf came on the art scene in the late 1990s and early 00s, and succeeded in rehabilitating and innovating existential figural works by connecting the theme of his own childhood with the aesthetics of pulp genres – comics, cheap horrors, naive sci-fi stories, and video games. He also used inferior materials and children’s artistic techniques. Later, his stylisation became more classical, but his works are still populated by the same childhood heroes who find themselves in the inhuman scenery of panel-house architecture whose concrete facade and malfunctioning infrastructure create a sense of irreverence for the human scale. The personal, autobiographical line thus merges with inspirational vectors derived from pop culture, art, literature, but also psychoanalysis, and opens up vistas of collective memory. His work seems to re-play scenes from one and the same story, but possess an inner focus and the promise of personal revitalisation. The works from recent years, which largely show the overlapping and collaging of motifs and their complicated layering, departs from the sense of personal projection in favor of depicting the chaos of the contemporary world, full of catastrophe and the human individual’s psychological malaise.
Bolf has been creating series of drawings since the early 2000s (Narapoia, 2002; Faces, 2002–2004; Large Faces, 2005; Classmates, 2008; Faces, 2013–2014, etc.) He started working on the first of these cycles, focused on portraiture, after a short hiatus from art in 2002. In the context of Bolf’s oeuvre, these works embody a spontaneous process of automatic and semi-automatic creation. They are inspired by comics books, traditionally regarded as a lowly genre, which significantly influenced Bolf’s early artistic practice. His drawing series represent fully-fledged artworks which, in contrast to more his complex work, function as a certain form of self-portraiture and self-exposure while also conveying a subjective message stemming from Bolf’s need to externalize subconscious experiences. In the context of his painterly work, these cycles can be understood as a secondary medium, with their intimate character, small formats, and repeated motifs offering a space for free experimentation with drawing and painting. The drawings mirror the evolution of Bolf’s painting style and commonly portray children and human-animal hybrids. They do not provide the viewer with any definite meaning, instead eliciting subjective experiences and interpretations stemming from individual visual perceptions. This drawing is part of the series Narapoia, created in 2002, and demonstrates Bolf’s interest in sci-fi imagery and zoomorphic stylizations which convey human emotions.
Josef Bolf (*1971, Prague) studied at the the Academy of Fine Arts in Prague and completed scholarships at Kongsthögskolan in Stockholm and the Academy of Fine Arts in Stuttgart and in 2007 he completed a residency in New York (international Studio and Curatorial Program). At the end of the 1990s he became a member of his peer group Bezhlavý Jezdec whose members often worked in conceptual art and the moving image, which is a medium Bolf himself occasionally employs. In 2005 he was among the finalists of the Jindřich Chalupecký Award, and his work regularly appears at important exhibitions dedicated to contemporary art. Since 2018, he has been a professor at the Academy of Fine Arts in Prague, and he had a solo exhibition in 2019 at the National Gallery Prague (A Premonition of Shadow, National Gallery Prague – Trade Fair Palace). Bolf has also had solo exhibitions abroad, for instance in Slovakia (White and Weiss Gallery, Bratislava, 2022), France (Galerie Dukan, Paris, 2011, 2016), Hungary (Trafo Gallery, Budapest, 2015), German (Galerie Dukan, Leipzig, 2014), China (Arcaute – Arte Contemporáneo, Beijing, 2012, 2013), Switzerland (Arthobler Gallery, Zurich, 2013), and the USA (Ana Cristea Gallery, New York City, 2010) Many of his works are held in institutional and private collections in the Czech Republic and abroad.
Bolf has been creating series of drawings since the early 2000s (Narapoia, 2002; Faces, 2002–2004; Large Faces, 2005; Classmates, 2008; Faces, 2013–2014, etc.) He started working on the first of these cycles, focused on portraiture, after a short hiatus from art in 2002. In the context of Bolf’s oeuvre, these works embody a spontaneous process of automatic and semi-automatic creation. They are inspired by comics books, traditionally regarded as a lowly genre, which significantly influenced Bolf’s early artistic practice. His drawing series represent fully-fledged artworks which, in contrast to more his complex work, function as a certain form of self-portraiture and self-exposure while also conveying a subjective message stemming from Bolf’s need to externalize subconscious experiences. In the context of his painterly work, these cycles can be understood as a secondary medium, with their intimate character, small formats, and repeated motifs offering a space for free experimentation with drawing and painting. The drawings mirror the evolution of Bolf’s painting style and commonly portray children and human-animal hybrids. They do not provide the viewer with any definite meaning, instead eliciting subjective experiences and interpretations stemming from individual visual perceptions. This drawing is part of the series Narapoia, created in 2002, and demonstrates Bolf’s interest in sci-fi imagery and zoomorphic stylizations which convey human emotions.
Josef Bolf (*1971, Prague) studied at the the Academy of Fine Arts in Prague and completed scholarships at Kongsthögskolan in Stockholm and the Academy of Fine Arts in Stuttgart and in 2007 he completed a residency in New York (international Studio and Curatorial Program). At the end of the 1990s he became a member of his peer group Bezhlavý Jezdec whose members often worked in conceptual art and the moving image, which is a medium Bolf himself occasionally employs. In 2005 he was among the finalists of the Jindřich Chalupecký Award, and his work regularly appears at important exhibitions dedicated to contemporary art. Since 2018, he has been a professor at the Academy of Fine Arts in Prague, and he had a solo exhibition in 2019 at the National Gallery Prague (A Premonition of Shadow, National Gallery Prague – Trade Fair Palace). Bolf has also had solo exhibitions abroad, for instance in Slovakia (White and Weiss Gallery, Bratislava, 2022), France (Galerie Dukan, Paris, 2011, 2016), Hungary (Trafo Gallery, Budapest, 2015), German (Galerie Dukan, Leipzig, 2014), China (Arcaute – Arte Contemporáneo, Beijing, 2012, 2013), Switzerland (Arthobler Gallery, Zurich, 2013), and the USA (Ana Cristea Gallery, New York City, 2010) Many of his works are held in institutional and private collections in the Czech Republic and abroad.
