Josef Bolf
Kitchen
Artist
Josef Bolf
(1971, Praha), Czech
Original Title
Kitchen
Date2008
Mediumlitography on paper
Dimensions35,5 × 49,8 cm
Classificationsprints
Credit LineKunsthalle Praha (Eva and Petr Zeman Collection)
DescriptionJosef Bolf is one of the most distinctive artists in contemporary Czech painting. His paintings are inhabited by wounded and frightened creatures, half-human and half-animal. The depicted situations elicit feelings of sadness, revulsion, and vulnerability, which draw on the author’s depressive states as well as the artist’s personal experience of growing up on an unfinished suburb of Prague’s South End during the era of Normalisation, when the collective unconscious resonated with the potential threats of the Cold War. Bolf came on the art scene in the late 1990s and early 00s, and succeeded in rehabilitating and innovating existential figural works by connecting the theme of his own childhood with the aesthetics of pulp genres – comics, cheap horrors, naive sci-fi stories, and video games. He also used inferior materials and children’s artistic techniques. Later, his stylisation became more classical, but his works are still populated by the same childhood heroes who find themselves in the inhuman scenery of panel-house architecture whose concrete facade and malfunctioning infrastructure create a sense of irreverence for the human scale. The personal, autobiographical line thus merges with inspirational vectors derived from pop culture, art, literature, but also psychoanalysis, and opens up vistas of collective memory. His work seems to re-play scenes from one and the same story, but possess an inner focus and the promise of personal revitalisation. The works from recent years, which largely show the overlapping and collaging of motifs and their complicated layering, departs from the sense of personal projection in favor of depicting the chaos of the contemporary world, full of catastrophe and the human individual’s psychological malaise.
Kitchen (2008) represents Bolf’s lithographic work, which can be understood as a secondary segment of his oeuvre alongside his paintings and drawings. The piece dates from his artistic period linked to revisiting his childhood during the normalization, which imbued people’s lives with gloomy and bizarre themes, which Bolf visualizes within a traumatic, horror-like atmosphere. These existentially conceived works refer to the dehumanized environment of socialist housing estates. The abandoned, traumatized boy-hero finds himself inside a kitchen with a view into the inescapable architecture of the housing estate. The peculiar inversion of these scenes, depicted in the nighttime, is achieved via the sgraffito drawing technique (derived from the Italian word sgraffito, meaning “scratched”), through which Bolf demonstrates his background in drawing. Simultaneously, he engages with the children’s world, which represents a recurrent setting of his work and is closely linked to a feeling of generational frustration.
Josef Bolf (*1971, Prague) studied at the the Academy of Fine Arts in Prague and completed scholarships at Kongsthögskolan in Stockholm and the Academy of Fine Arts in Stuttgart and in 2007 he completed a residency in New York (international Studio and Curatorial Program). At the end of the 1990s he became a member of his peer group Bezhlavý Jezdec whose members often worked in conceptual art and the moving image, which is a medium Bolf himself occasionally employs. In 2005 he was among the finalists of the Jindřich Chalupecký Award, and his work regularly appears at important exhibitions dedicated to contemporary art. Since 2018, he has been a professor at the Academy of Fine Arts in Prague, and he had a solo exhibition in 2019 at the National Gallery Prague (A Premonition of Shadow, National Gallery Prague – Trade Fair Palace). Bolf has also had solo exhibitions abroad, for instance in Slovakia (White and Weiss Gallery, Bratislava, 2022), France (Galerie Dukan, Paris, 2011, 2016), Hungary (Trafo Gallery, Budapest, 2015), German (Galerie Dukan, Leipzig, 2014), China (Arcaute – Arte Contemporáneo, Beijing, 2012, 2013), Switzerland (Arthobler Gallery, Zurich, 2013), and the USA (Ana Cristea Gallery, New York City, 2010) Many of his works are held in institutional and private collections in the Czech Republic and abroad.
Kitchen (2008) represents Bolf’s lithographic work, which can be understood as a secondary segment of his oeuvre alongside his paintings and drawings. The piece dates from his artistic period linked to revisiting his childhood during the normalization, which imbued people’s lives with gloomy and bizarre themes, which Bolf visualizes within a traumatic, horror-like atmosphere. These existentially conceived works refer to the dehumanized environment of socialist housing estates. The abandoned, traumatized boy-hero finds himself inside a kitchen with a view into the inescapable architecture of the housing estate. The peculiar inversion of these scenes, depicted in the nighttime, is achieved via the sgraffito drawing technique (derived from the Italian word sgraffito, meaning “scratched”), through which Bolf demonstrates his background in drawing. Simultaneously, he engages with the children’s world, which represents a recurrent setting of his work and is closely linked to a feeling of generational frustration.
Josef Bolf (*1971, Prague) studied at the the Academy of Fine Arts in Prague and completed scholarships at Kongsthögskolan in Stockholm and the Academy of Fine Arts in Stuttgart and in 2007 he completed a residency in New York (international Studio and Curatorial Program). At the end of the 1990s he became a member of his peer group Bezhlavý Jezdec whose members often worked in conceptual art and the moving image, which is a medium Bolf himself occasionally employs. In 2005 he was among the finalists of the Jindřich Chalupecký Award, and his work regularly appears at important exhibitions dedicated to contemporary art. Since 2018, he has been a professor at the Academy of Fine Arts in Prague, and he had a solo exhibition in 2019 at the National Gallery Prague (A Premonition of Shadow, National Gallery Prague – Trade Fair Palace). Bolf has also had solo exhibitions abroad, for instance in Slovakia (White and Weiss Gallery, Bratislava, 2022), France (Galerie Dukan, Paris, 2011, 2016), Hungary (Trafo Gallery, Budapest, 2015), German (Galerie Dukan, Leipzig, 2014), China (Arcaute – Arte Contemporáneo, Beijing, 2012, 2013), Switzerland (Arthobler Gallery, Zurich, 2013), and the USA (Ana Cristea Gallery, New York City, 2010) Many of his works are held in institutional and private collections in the Czech Republic and abroad.
Josef Bolf
